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Yassine Balbzioui

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Yassine Balbzioui
human
Ein sex anaa gendermale Edit
Country wey e be citizenMorocco Edit
Name wey dem give amYassine Edit
Ein date of birth5 July 1972 Edit
Place dem born amEl Kelaa des Sraghna Edit
Native languageBerber Edit
Languages edey speak, rep anaa signArabic, Berber Edit
Ein occupationartist Edit
Copyright representativereproduction right represented by CISAC-member Edit
Copyright status as creatorworks protected by copyrights Edit

Yassine Balbzioui (dem born am 1972, Morocco) be a contemporary artist dem know for ein multidisciplinary approach, wey dey include painting, performance, den installation art. He dey describe einself primarily as a painter, yet ein oeuvre dey span chaw media, wey dey integrate elements of fiction den reality.

Biography

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Yassine Balbzioui study for de School of Fine Arts of Casablanca. He later continue ein education for de École des Beaux-Arts de Bordeaux insyd France den de University of California insyd de United States.[1] Ein training across diverse cultural contexts profoundly influence ein artistic style den thematic explorations.[2]

Artistic oeuvre

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Balbzioui ein work be characterize by ein thematic den stylistic versatility. While he dey identify predominantly as a painter, ein art often dey incorporate masks, human-animal hybrids, den an interplay between fiction den fact.[3] Ein exhibitions dey include painting, photography, video installations, den performance art, wey dey create a multilayered interpretative space.

Notable themes insyd ein work dey include de use of masks as tools for transformation den de exploration of identity, both personal den collective. Thru human-animal hybrids, Balbzioui dey blur de lines between humanity den nature, wey dey encourage viewers to question societal dey construct den dema relationship plus de natural world.[4]

Exhibitions dem select

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  • 2023: Into the Light, Kristin Hjellegjerde Gallery, London, United Kingdom.
  • 2022: Karachi Biennial, Karachi, Pakistan.
  • 2021: Kubatana, Vestfossen Kunstlaboratorium, Vestfossen, Norway.
  • 2019: Ultrasanity, Chapter 2: Invocations, Savvy Contemporary, Berlin, Germany.
  • 2018: 13th Dakar Biennale, Dak'Art, Dakar, Senegal.
  • 2018: The Black Sphinx II, Primo Marella Gallery, Milan, Italy, and Primae Noctic, Lugano, Switzerland.
  • 2017: E-moi, MACAAL (Al Maaden Museum of African Contemporary Art), Marrakech, Morocco.
  • 2016: Public Pool 2, Cité Internationale des Arts, Paris, France.
  • 2014: Le Maroc Contemporain, Institut du Monde Arabe, Paris, France.
  • 2014: 100 Years of Creation, Mohammed VI Museum of Modern and Contemporary Art, Rabat, Morocco.
  • 2012: Inexactly This, ZET Foundation, Amsterdam, Netherlands.
  • 2012: 7th Berlin Biennale, Pornography of Everyday Life, Berlin, Germany.

Collections

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Na dem hold Balbzioui ein work insyd private den public collections, wey dey include:

  • Le Cube – Independent Art Room, Rabat, Morocco
  • Mohammed VI Museum of Modern and Contemporary Art, Rabat, Morocco
  • Institut du Monde Arabe, Paris, France
  • Museum of African Contemporary Art Al Maaden (MACAAL), Marrakech, Morocco
  • Iwalewahaus, University of Bayreuth, Bayreuth, Germany

References

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  1. Soh Ndikung (2014), Atlas Chameleon: Yassine Balbzioui’s Iconography. 2014, 78.
  2. Gbadamosi, R. (2022), A Night at the Opera. In: Fink, K.; Siegert, N. (eds.), Identity to Rent, 16.
  3. Deparis-Yalif, A. (2011). Exhibition Catalogue: The Fish Inside Me, 11.
  4. Rachidi, M. (2011). L’Obsession du Masque. Édité par la Galerie Shart, 11-13.
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